刘馨浓则在翻译初期因塔可夫斯基对女性的态度产生过微妙的距离感。塔可夫斯基在日记中说，男性的天职是创造，女性的天职是为爱牺牲，而他与继女之间屡屡爆发的尖锐矛盾，更让刘馨浓一度感到紧张，“起初会很自然地把自己代入文中被提及的女性，有种自己被贬低、被攻击的感觉，对日记里的谩骂，有一种想要回避的本能。”刘馨浓说，读到第三遍、第四遍时，她开始站在塔可夫斯基的视角看待那些冲突，慢慢体会到他对身边人的苛责背后隐藏的情绪，感受到愤怒背后流露出的脆弱和无助，“他的尖锐，本质上是对创作的极致要求，是对自我的绝不妥协。”
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Much of Bridgerton Season 4 concerns lovers hailing from opposing worlds, drawn to each other like a moth to a flame despite not fitting the Ton's social rules for marriage matches. As Julie Andrews' always comforting Lady Whistledown voice-over says, "The draw of two differing desires can be torture at best… Perhaps the desire is not the problem, but the world itself." This season, Sophie and Benedict struggle with the impossibility of their match across classes, and through subtle hints, keen-eyed viewers will see a long-overdue journey on the horizon.。safew官方版本下载对此有专业解读